The origin of Takofanes adapted from material by Steven S. Long & Darren Watts
Sixty-five thousand years ago in the Turakian Age, Takofanes the Undying Lord, also known as the King of the Throne of Human Ivory or simply as the Archlich, was a power-hungry man named Kal-Turak. He subjugated nearly every pocket of human habitation and, through sheer force of will, even conquered death itself. The rule of the undying despot who had become known as the Ravager of Men went unopposed for centuries until the free peoples of that time finally cast him down and imprisoned him in a tomb buried deep beneath the surface under what would become Oklahoma. The tomb survived undisturbed for millennia thanks to the potent magicks placed upon it. However, in 1987, with the tide of magic higher in the world than it had been in centuries, Takofanes freed himself.
Takofanes destroyed the entire town of Tahlequah, Oklahoma and turned its residents into zombies. From there he headed eastward, leaving death, devastation, and madness in his wake as he crossed the United States. His goal was the same as it had been in the past – reign over the world and every soul upon it. Whether they remained alive or undead mattered little to him. A combined effort by several superteams to stop him from crossing the Mississippi River failed, resulting in the deaths of Archangel, Corundum, Delphi, the Hyperkinetic Man, Tightwire, Flechette, and Goldfire.
A second attempt at stopping Takofanes in eastern Kentucky by a larger group of superheroes and several supervillains including the Crowns of Krim succeeded with no further loss of superhuman life but he vanished from the battlefield before anyone could lay hands on him. It was not until that final battle that anyone saw him so much as acknowledge the existence of those opposing him. Since then, Takofanes has returned several times, always in a different location but always spreading death and havoc wherever he goes. He has never worked with other villains and presumably regards all living beings as servitors-to-be regardless of their powers in life.
Resembling a human skeleton garbed in macabre, ornate clothing and borne in a litter carried by his undead servants or the sheer force of his magic, Takofanes commands great magical might particularly in the arcana of Necromancy. He wears on his head the fabled Dragon Crown, seventh and greatest of the Crowns of Krim. Mystics who have fought Takofanes have had no difficulty sensing the evil magick imbued in the crown. Although the exact nature of the magick remains unclear, it seems to protect the Undying Lord from certain mind-affecting powers. On some occasions, the emerald seems to glitter particularly brightly when Takofanes casts spells himself. Where he passes, corpses rise from their graves to serve him, and ghosts appear to wreak harm on the living. Everyone who stands against him and is slain returns from the dead as a mindless revenant under his complete control.
A description of the office of the Archmage by Dean Shomshak.
The Archmage is not a person, but an office – the most powerful mystic on Earth, blessed with sorcerous gifts surpassing all others. At the death or retirement of each Archmage, his chosen successor gains the office’s awesome power, no matter where in the Multiverse either person is at the time.
The Archmage’s chief power is an effortless facility with spells. An Archmage does not need the chants, talismans, potions, magic circles, or other paraphernalia used by most sorcerers. He casts spells by will alone. At present, only supermages such as the likes of the horrific Takofanes perform magic with such effortless ease. An Archmage also gains an extended lifespan. Archmages live for centuries, until they encounter something able to kill them or they voluntarily step down and once more age at a normal rate. (The Eternal Tulku may have become immortal before he became an Archmage.)
The Archmage wields tremendous authority over the spirit world. He may call on any power within the Inner Planes. He can invoke the light of God to burn and banish demons, or the fires of Hell to chastise angels. He can borrow a pagan god’s mastery of nature, or the urban magics of Babylon. Ghost, ghoul, and god all find the Archmage summoning the power most baneful to them. Invaders from the Outer Planes encounter an even greater threat: the Archmage can curse them through the power of Earth’s four great spirit-realms, to render the Inner Planes deadly to them.
Over the centuries, the Archmages accumulated many of Earth’s greatest mystic artifacts and relics. They employed some of these magical treasures; others, too dangerous for human use, they locked away to keep them from unwary hands. According to occult legend, a being called Thanoro Azoic initiated the line of Archmages, longer ago than anyone now can say. “Azoic” means “no life”: some mystics believe Thanoro Azoic came from another plane before life existed on Earth, and guarded the planet for eons until the first human wizards became powerful and wise enough to assume his burden. Other mystics believe the First Archmage bore some connection to the mysterious Nagas who taught mystics and heroes long ago. Most sages opine, however, that “Azoic” must be a mistranslation of some other word or name.
After Thanoro Azoic, the line of Archmages has broken twice that mystics know. The first time happened in antiquity. This interregnum lasted more than a century. The Hellenistic magus Thestor restored the line of Archmages after a quest to find Kryptos, the cosmic personification of secret knowledge. Thestor’s grimoire, The Krypticon, became the most treasured possession of succeeding Archmages.
Seven more Archmages followed Thestor: four men and three women, from all around the world. The office returned to Europe in the seventeenth century with the accession of the Russian mystic Bohdan Stanislavski. The Circle of the Scarlet Moon murdered Stanislavski in 1908 in a magical cataclysm, which destroyed most of the arcane artifacts the Archmages had collected for centuries, such as the world had not seen in millennia. Stanislavski lacked an heir as his apprentice had died fighting an Edomite horror in Africa a few years before.
Many contemporary mystics dearly want to restore the office of Archmage and regain humanity’s greatest safeguard against supernatural danger. Unfortunately, everyone who definitely knows the secret of doing so can’t or won’t talk. The serpentine Nagas, whose knowledge of the mystic arts has no equal on Earth, remain silent for their own inscrutable reasons. Perhaps they think it’s useful for humanity to lack one clear mystic authority or perhaps, as some mystics whisper, these ancient entities no longer care what happens to the world.
The retired Archmage called the Eternal Tulku once knew, but he slipped into senility long ago. Perhaps someone can learn the secret of anointing a brand-new Archmage during one of Tulku’s rare moments of lucidity. Regardless of the general mystery surrounding the process of accession to the position of Archmage, mystics know the following:
A future Archmage shows great mystic mastery even before his anointing. Specialists and dabblers need not apply.
Documented Archmages followed every major style of sorcery – Hermetic ritual magic, Taoist wizardry, shamanism, and more except for alchemy.
Moral requirements seem lax. Although an Archmage’s duties include refereeing conflicts between the spirit powers and defending the Earth from supernatural invasion, not all of them have been exactly heroic. A few mystics quite seriously believe that Takofanes the Undying, considered by some the most evil and powerful villain on Earth, is an Archmage from remote antiquity who rose from the dead and reclaimed his power.
A prospective Archmage must learn the spell that curses invaders from the Outer Planes. Any sorcerer could learn the Quaternion Banishment, but the mystic must first receive gifts of power from the gods of Faerie, Babylon, Elysium, and the Netherworld. For more than a thousand years, no one except apprentice Archmages ever filled this requirement. Mystics who hope to anoint a new Archmage – or take the office themselves – strive to rediscover the Quaternion Banishment and obtain the necessary gifts of power.
On the other hand, a nascent Archmage may not bind himself to any single god or spirit. The Archmage speaks for all humanity in the quarrels and councils of the gods. To do this, he must remain neutral – receiving power from gods, but not becoming beholden to them.
Beyond these minimal requirements, everything else is conjecture. Skilled astral voyagers search the Upper Planes for the elusive Kryptos. Scholarly mystics seek letters from old Archmages, memoires by mystics who knew them, and any other text that might give more hints.
A brief biography of silent-film star and diabolical devil-worshiper Alicia Thompson
Reputedly one of the many lovers and students of English occultist Aleister Crowley (1875-1947) during World War I, silent-film star Alicia Thompson (1898-1933) began her acting career by the side of her father, Allan Thompson (1858-1912), at the age of 4. Her mother, Edna Thompson née Anderson (1870-1900), was both a talented singer and dancer who died of complications due to pneumonia, leaving the young Alicia in the sole custody of her father.
The father-daughter team were much sought after in Vaudeville and by 1910 had become headliners at New York City’s famous Palace Theater run by Benjamin Franklin Keith (1846–1914). The two took Broadway by storm until 1912 when, amid allegations of pedophilia, the elder Thompson took his own life with a lethal overdose of diamorphine.
It was shortly after her father’s suicide that the beauty, poise and raw talent of the then 14 year-old caught the eye of Florenz Edward Ziegfeld (1867-1932), who immediately showcased Thompson in that year’s Ziegfeld Follies.
It was at this time that the young singer, dancer and actress became involved in the occult. Although her name had been linked to several prominent occultists at the time including Crowley, these reports have never been substantiated. She has also been said to have been an initiate of the occult secret society the Circle of the Scarlet Moon. One apocryphal story that circulated widely after Thompson’s death in 1933 among the Hollywood elite of the time was that she had sold her soul for riches and power.
In 1918, Samuel Goldwyn (born Szmuel Gelbfisz, 1879–1974), chairman of Paramount Pictures at the time, recognized Thompson’s potential in the nascent movie industry and offered her a five-year contract at of $500 a week. Her first film, Moonchild (1919), was such a critical and commercial success that a year later the twenty-two year old renegotiated her contract with Paramount, who agreed to pay Thompson an unheard-of salary of $5,000 a week.
By 1925, she had starred in ten remarkably successful films and her name had been linked romantically to several of the silent-film eras greatest males stars as well as some of the most powerful men in Tinseltown, including Goldwyn himself. In 1926, a maid in the employ of Thompson, Jane Clinton (1902-1926), reported to the Los Angeles Globe that the actress was a practicing satanist and headed a devil worshiping cult. Representatives of the actress denied these accusations, which were soon forgotten when Clinton jumped to her death from the final D in Hollywoodland (now only Hollywood) sign atop Mount Lee. However, whispers of satanic rituals continued to surround the actress and her associates, many of whom were later linked to the devil-worshiping cult called DEMON.
In 1929, the actress married reclusive Venezuelan oil magnate Ricardo Vargas (1890-1982). After their wedding, the couple shuttled between their homes in Beverly Hills, New York, Buenos Aires, London, Milan, Havana, Caracas and Cairo. Although they were known to associate with some of the most notable and infamous people of the time, they shunned the limelight. The couple would hold exclusive, invitation-only events about which no one would ever disclose any information. In 1930, reports began trickling in to authorities in Cuba and Venezuela of a cult calling itself the Brujeria that was practicing human sacrifice. One eyewitness alleged to have seen Thompson and Vargas officiating in a ceremony in which a month-old baby was sacrificed. Authorities in both countries dropped the case after witnesses and evidence began disappearing.
Thompson was admitted to a private sanitarium in Caracas in 1932 suffering from hysterical paranoia and died in 1933 from a massive aneurysm. Vargas, who never remarried, rarely traveled outside South America after Thompson’s death.